“An com chua?”
If you’re going to understand Vietnam and the Vietnamese, this three-word phrase is key. A friendly greeting exchanged throughout the day, it poses a seemingly mundane question: “Have you eaten yet?” (The polite answer, even if you have, is “Why, no—let’s eat!”)
Food is at the very heart of Vietnamese culture. Almost every aspect of social, devotional, and family life revolves around the procurement, preparation, and shared pleasure of nourishment. Even commercial life: more than half of Vietnam’s population makes a living in agriculture or the food trade. Markets are on every corner; cooks on every curb. A sneeze elicits the blessing com muoi, or “rice with salt.”
On a recent train ride from Hue to Hoi An, food was everywhere in sight. At each station stop, vendors rushed up to the windows proffering homemade treats: shrimp cakes, jerky, sticky rice. One vendor came aboard and walked the aisles, selling sun-dried squid. (An American traveler bought one, thinking it was a decorative fan.) In the bar car the train conductor and his staff spent the whole ride not collecting tickets but preparing lunch: cooking noodles, shelling prawns, trimming basil into woven baskets.
Follow any lane in any Vietnamese city at any time of day and you’ll find some contented soul crouched over a bowl of broth or rice. Then again, if you lived in Vietnam, you’d eat all the damn time, too. The food is beautiful to behold, if only for the colors alone: turmeric-yellow crêpes, sunset-orange crabs, scarlet-red chiles, deep-purple shrimp paste, and endless jungles of vivid green. Vietnamese cooking is fresher, healthier, lighter, and brighter than, for instance, Chinese or Indian or French, three of its closest relations. Though it is often described as “honest” and “direct”—cooks resist fussy ornamentation (except in Hue; more on that later)—this is a cuisine rich with nuance, carrying a complexity that is all the more surprising for its being served in, say, a plastic bowl with a Tweety Bird logo, on a flimsy table on the pavement.
Flavors and textures are deftly arranged so each note rings clear, from the piercing highs of chili paste and nuoc mam (fish sauce) to the bottomless depths of a stock that’s been burbling since dawn. These are tastes that sate, soothe, and just as often shock you awake—particularly the pungent greens and herbs that figure in almost every dish. After the wonder that is Vietnamese produce, the stuff back home seems like a recording of a recording of a cassette that was left out in the sun.
Hanoi
I’ve spent roughly 100 days in Hanoi over the past 12 years, and I don’t recall ever once seeing blue sky. Not that I’d have it any other way. Like London or Seattle, this is a city that becomes itself under cloud cover. During those moist, moody afternoons, when mist hangs over the streets like smoke from a cooking fire, Vietnam’s gorgeous old capital feels more intimate than it already is.
Even in the heat of summer, Hanoians favor cockle-warming dishes suited to far chillier climes. The most renowned of these is Vietnam’s de facto national dish: pho bo, eaten at any time of day but especially for breakfast. Taking root in an earthy, long-simmered beef broth—shot through with clove, ginger, and star anise—the soup is filled out with rice noodles and one or more varieties of raw or cooked beef, tendon, or tripe. Southerners sprinkle fresh herbs and bean sprouts on top, but a Northern pho is generally unadorned, with only a few scallions and a bit of cilantro cooked into the broth and perhaps a squirt of rice vinegar.
Pho Gia Truyen, on Bat Dan Street in Hanoi’s Old Quarter, doesn’t look like much from the outside—or from the inside, for that matter. The room has a clock, two fans, three bare lightbulbs, and a handful of communal tables. The only decoration is the food itself: hulking slabs of brisket suspended from hooks, a hillside of scallions on the counter, and a giant cauldron puffing out fragrant clouds of steam like some benevolent dragon. A cashier takes your money (about a dollar a serving), her colleague fills a bowl with noodles and chopped scallions, and a teenager with a faux-hawk ladles strips of ruby-red beef into the broth to cook for two seconds, then spoons it all into the waiting bowl. Half of Hanoi queues up for a seat, while others slurp their soup perched on motorbikes outside. All wear serious expressions, and eat in a silence that feels not joyless but reverential. The stock is so wholesome and protein-rich you feel yourself being cured of whatever might ail you, perhaps of anything that ever could.
A proper restaurant culture, the sort with waitstaff and normal-size chairs, is still in its infancy here, but Vietnam has a long tradition of eating out—quite literally so. Western notions of indoors and out are reversed: at a typical Old Quarter house in Hanoi, the motorbikes are in the living room and the stove is on the sidewalk.
When people here crave a particular dish, they usually visit a particular street vendor, often on a particular lane (which may even be named after said dish). The best way to tackle Hanoi is to treat the city as one vast progressive buffet, moving from the spring-roll guy to the fermented-pork lady and onward into the night.
Or you could make it easy and hit Quan An Ngon (locals call it simply “Ngon,” meaning delicious). The owner recruited an all-star roster of street-food vendors to cook their signature dishes in the courtyard of an old villa, added menus and table service, and watched the crowds pour in—not just foreigners but also well-heeled Vietnamese, who can’t get enough of the place. (There’s also a branch in Saigon, a.k.a Ho Chi Minh City.) The quality is excellent, the atmosphere convivial, and seats hard to come by after dark. Come for breakfast and the food is even fresher (and the cooks outnumber the patrons).
Most of these dishes are traditionally served all day, so the morning menu is much the same. My ultimate breakfast: an order of bun cha (grilled pork in a marinade of sweetened fish sauce with a side of rice vermicelli) and a bowl of banh da ca, a fabulously tangy fish soup from Haiphong laden with chunks of tilapia, chewy, fettucine-like banh da noodles, dill, scallions, and the magical rau can (a woody stalk with a strong, cedary bite).
Speaking of fish, Hanoi cha ca is one of the great Vietnamese dishes, a note-perfect blend of raw and cooked ingredients, assertive and delicate flavors, with a DIY element as a bonus. It’s often associated with a century-old Hanoi institution called Cha Ca La Vong, which is very good, indeed, though I prefer the more peaceful surroundings and local clientele of its rival, Cha Ca Thanh Long, a few blocks away. The firm white flesh of the snakehead fish is first marinated in galangal, shallot, shrimp paste, and turmeric, and briefly seared on a grill. It’s then brought to your table in a large pan with bowls of shaved scallions, crumbled peanuts, chiles, and a hedgerow of bright-green dill. A tabletop brazier is ignited. This is where you come in: tossing everything into the sizzling pan, sautéing the fish to a golden brown, then laying it onto a bed of cool vermicelli, with a few more dill sprigs for good measure. Add a dollop of supremely funky shrimp paste if you dare (and you should).
For all their obsessive eating and snacking, Hanoians tend not to linger at table. Most finish dinner in seven minutes flat. Where they do while away the hours is at the local café. Hanoians drink a lotof coffee: thick, rich, tar-black stuff, sometimes cut with condensed milk but often taken straight. The bohemian soul of Hanoi’s café scene is Nang, a 1956 landmark on Hang Bac Street whose 74-year-old owner, Ms. Thai, still brews nearly every cup herself. (Her father-in-law, who lived in Paris for a spell, taught her how to French-roast the beans.) Ms. Thai’s blend, sourced from Dong Giao, in the northern Nghe An province, is strong enough to power a 125 cc motorbike.
The café is only eight feet wide, with tiny wooden tables and tinier wooden stools, occupied all afternoon by young Vietnamese men sporting the currently in vogue greaser look: slicked-back hair, black leather jackets, skinny jeans, white pocket T’s with single cigarettes poking out. The place looks exactly as it must have in 1956—a perfect microcosm of a city that’s always had a tenuous relation to the present tense.
To be continue...
Source: Travel and leisure
